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Combining modern computer-generated animation with 2-D hand-drawn techniques such as action panels, thought bubbles, Ben-Day dots, even the little squiggly lined emanata that indicate “spidey-sense,” directors Bob Persichetti, Peter Ramsey, Rodney Rothman have come darned close to capturing on the big screen with Spider-Man: Into the Spider-Verse the feel of old four-color pulp comics in textures that modern live-action superhero sagas do not.

Reviewed by Mike Ireland

News Feature
Toxic Brew: State Politicians, Gas & Oil Lobbyists, and ALEC Join Forces Against Environmental Protesters
by Sue Udry l Defending Rights & Dissent (posted 03.11.18)

News Feature
Unequal Exchange: How Taxpayers Shoulder the Burden of Fossil Fuel Development on Federal Lands
by Janet Redman l Oil Change International (posted 07.7.17)

News Feature
Tom Hanks is fed up with NFL billionaires scamming taxpayers for stadiums
by Lindsay Gibbs l ThinkProgress (posted 05.12.17)

News Commentary
The Coming Collapse
by Chris Hedges l Truthdig (posted 08.16.18)

News Commentary
The Firing of an Officer Who Didn't Shoot First and Ask Questions Later Reveals The Greater Failings of Law Enforcement in the US
by Jeffery Robinson l ACLU (posted 07.7.17)

News Commentary
In Afghanistan: America's Longest War Will Never Be Won
by William Boardman l Reader Supported News (posted 04.18.17)

REEL REVIEWs
Bohemian Rhapsody
Green Book
Mortal Engines
Welcome to Marwen
Aquaman
Spider-Man: Into the Spider-Verse
Reviews by Bruce Rodgers, Beck Ireland, Mike Ireland









 

     

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